Nora Maccoby

The splitting of worlds
Anchoring 5 dimensions
30″x60″ oil on canvas
To be viewed in 4 directions

The 7 Guardians MODE OF TRANSPORT
UniverSex 22

At the end of the last Epoch and the beginning of Kali Yuga, the age of death and destruction, a battle by opposing forces in greater galactic warfare over the planet Earth, resulted in a stasis of good and evil in perpetual fight.

The Great 7 Stars, Guardians of Order against Chaos, Keepers of Time, were tricked by the Lord of Falseness, into a descent within the matrix of earthly incarnation. Banished by Universe to Sleep in the Realm of Demons, The Lord of Falseness was held at bay, until the End of Kali Yuga, when the doors of chaos and karma would be spun open upon the Earth and it would be the Final Battle at the End of Time.

WHEN the sisters assist each other in spiritual birth, they will awaken
from earthly incarnations. They will REMEMBER who they ARE.
Stand ground and witness.

Chaos has a master. As long as the wind blows and there is dirt upon the
ground and water flows.

As long as the wind blows, and there is dirt on the ground, and water flows, to set forth upon the Work and Restore the Plan on Earth.

Snap shots from time space travel to now from then

Snap shots from time space travel to now from then 2

Snap shots from time space travel to now from then 3

Snap shots from time space travel to now from then 4

Snap shots from time space travel to now from then 5

Snap shots from time space travel to now from then 6

https://web.archive.org/web/20191217091226/http://noramaccoby.com/ for previous work

Bio

https://www.instagram.com/noramaccoby/

Nora Maccoby is a multimedia artist working with narratives, paint, theater, film, video, philosophy, and technology. In her 30 years of research, in the drawings and paintings of architectural reference, in her feature film writing (Bongwater, Buffalo Soldiers), and as a clean energy leader crossing realms, Nora has used art as intentional conceptual activism in the journey to uncover the truths of invisible worlds, the world power structure, and following through on the question about the ability of art forms to transcend the boundaries of ruling paradigms.

A fourth generation artist, born in Mexico, she grew up in Washington DC where she graduated from the Sidwell Friends School. She received her BA in Theater and Government from Oberlin College , and an MFA from The American Film Institute in Directing. Working between painting, film, and philosophy, in 1991, Nora began an investigation into theories, representations, concepts, and states of time travel. In 1996, she started the IDT, Interdimensional Art Collective, in Los Angeles, California. Her thesis film, Dropping the Bomb on My Street, was the winner of the Leopard of the Future award at Locarno. She was co-writer of Bongwater (Jack Black, Andy Dick, Luke Wilson) and Buffalo Soldiers (Joaquin Phoenix, Ed Harris, Anna Paquin), nominated for 6 Independent Spirit Awards and winner of The Evening Standard Award for Best Screenplay of 2003.

Nora’s focus on activism as conceptual art led her to, in 2004, creating Nature’s Partners, a bipartisan clean energy movement in Washington DC. Since that time, she has worked with the First Nations, the U.S. Department of Defense, The International Fund for China’s Environment, in partnership with the World Bank, IMF, and advanced energy technology innovators, collaborating to solve environmental challenges with clean energy transition innovations through dialogue and conversation. Her book, The Energy Conversation: The First 3 Years, was published by the Center for Naval Analysis (CNA) in 2009.

Since focusing on integrating art and technology, and beginning the collaboration with NOIRFLUX, Nora’s work has been featured in 2017 in LandEscape Art Review, ItsLiquid Art, at the Corcoran Museum in 2011 and 2012, in Venice at the Palazzo Ca’zanardi during the 2017 Biennale; at the Smithsonian Arts and Industries Museum in December 2017 with NOIRFLUX for the living installation, Surfing Stardust: Destination Earth, and in January 2018, she was awarded the International Prize Leonardo da Vinci in Florence, Italy, by Art International Contemporary. Her series of Renaissance time travelers debuted in Rome, at the Temple University museum, in an exhibit with the artist Mark Kostabi. Her light paintings were featured at the CADAF/Art Basel/Miami, and her series of galactic archetypes “The 7 Guardians in the Church Where Miles Davis Plays” is currently on view in Washington DC at ARTSPACE, in Shaw.

Publications and Interviews

LandEscape Art Review

Purchase Landscape Art Review Magazine

Green Hawks in the Pentagon article

Zero Hour: The Day the Grid Stood Still article

The U.S. and China as Environmental Soul Mates article

U.S. Oil Consumption – CSPAN interview

The Energy Conversation book